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Raves from the Media!

(Click on underlined copy to see full reviews!)


For "Keep It To Yourself"

Laura Ainsworth's CD debut, "Keep It To
            Yourself" Click to order from CDBaby.com!
Second week on JazzWeek Top Radio Airplay Chart!  New artist CD of the week on BluesJazzRadio.com!  Featured CD of the week on Public Radio Exchange's nationally-syndicated show,  "The Blues & Beyond!"
 

Lead CD review in the January Jazz Inside magazine!

"You can keep all those pop divas.  The only one for me is Laura Ainsworth...Ainsworth has beauty, brains, sophistication and comic timing that make her a total performance package...A wonderful modern interpreter of the Great American Songbook as well as thoroughly modern styles."
-- Eric Harabadian, Jazz Inside  
CLICK HERE to read the entire rave review!

“Blends the pop and jazz worlds in a fresh and unique way.” – Matthew Warnock, ReviewYou.com


"Ainsworth’s voice is sublime
as it caresses top-notch musicianship by a slew of southwest jazz players...It’s a very warm, elegant album with just enough big stage flair." -- Mario Tarradell, Dallas Morning News



"A unique gem...The title track opens and immediately transports us to a posh dinner and dancing club with fancy-dressed women and men with cigars.  Ainsworth and band play gorgeously together, creating a charming, classic sound that would fit in any ’50s film with that club scene.  I expected Rosemary Clooney or Bing Crosby to appear somewhere.  Props to producer Brian Piper and mixer Kent Stump for tying up package that gives due respect to Ainsworth’s voice while never faltering on the instruments... The horns are crisp and each drumbeat or guitar pluck is as obvious as it is subtle.  

But Ainsworth is clearly the star.  What she does with Johnny Mercer’s 'Skylark' and Cole Porter’s 'Love for Sale' is magic..." -- Rich Lopez, Dallas Voice


“A spectacular CD...
Takes the ambiance of the '40's and '50's supper clubs/bands and elegantly mingles that feel with modern day flair”...An “elegant and classy voice with a sophisticated style. Her rendition of…’Dream A Little Dream of Me’ is truly superb... Ainsworth’s voice carries with a smooth and silky tonality.  If you are a fan of Diana Krall or Ella Fitzgerald, then you will truly appreciate (this) outstanding CD." – RadioIndy.com



"
Jazz vocalist Laura Ainsworth weaves past and present with stunning power...

Her voice is like (a) mirror reflection into the past, conjuring black-and-white images of well-groomed gentlemen in trench coats and fedoras, smoke-enveloped bars, and glamorous women whose beauty is nearly as bright as their jewelry...Laura Ainsworth has that effect on the listener, an uncanny ability to flash portraits in the mind with a simple line...It might not be long before Dallas is not just known for its oil, Cowboys, and J.R. Ewing but a funny lady with a jewel of a voice..." -- Robert Sutton, JazzCorner.com


"Singing in a satiny, impossibly old-fashioned, nearly three-octave voice, Ainsworth is the very portrait of West Coast coolShe sings the heck out of these songs… Ainsworth goes on to pull off perhaps the biggest surprise of all on Keep It To Yourself, an update that emerges as the transcendent moment every singer hopes for when they dig out one of those dusty, decades-old favorites. It arrives in the form of 'Skylark,' a been-there, done-that warhorse from Hoagy Carmichael and Johnny Mercer. Working in much the same way as her musical heroes once did, Ainsworth recorded the tune live in a single take. Perhaps just as importantly, though, she did so in a fresh new format – alongside jazz guitarist Chris Derose…

The results are devastatingly beautiful, nakedly honest, and a powerful argument for the ageless compositions that Ainsworth so clearly treasures...” -- Nick DeRiso, SomethingElseReviews.com


"That song ('Keep It To Yourself') is hilarious!...Played (it) in connection with a cheating husband story.  Great response from listeners!"  -- Terry Meiners, WHAS, Louisville, "50,000 watts covering Kentucky, Indiana, parts of Ohio, Tennessee and Michigan, too!"

"An airworthy addition to any station.  Her beautiful voice makes the (title) song funny, timely and very clever.  It makes a point so sharp it draws blood.  Play it and please your listeners."  -- Gary Cummings, General Manager, Inland Northwest Broadcasting, KRPL~KZFN~KZZL~KMAX~KRAO~KCLX


“In true Laura Ainsworth vocal style, her new CD, Keep It To Yourself, is a wonderful romp through an entertaining selection of songs, each with a unique twist and outlook on life… Her personality shines through each song as if she was performing one of her live shows!” -- Carolyn Lee Jones, Jazz Vocalist, www.carolynleejones.com



For "Keep Young & Beautiful"

(aka "My Ship Has Sailed")

Laura Ainsworth in "Keep Young &
                    Beautiful"

"A Potential Cult Phenomenon!...
A dynamite revue…Witty and discreetly naughty...

A merciless spoof of modern America's fear of the aging process" by Laura Ainsworth, whose "Julie Andrews-style 'These Are the Things That the Taliban Banned,' which made the rounds in 2001, was one of the cleverest song parodies since the heyday of Tom Lehrer...Worth the trip from Ft. Worth to Dallas!"

-- Perry Stewart, Ft. Worth Star-Telegram
 

* * * * *

"Side-Splitting!...One zinger after another…
will have you laughing with recognition!”

-- Park Cities People newspaper
 


 * * * * *

"3-1/2 Stars!   A sophisticated one-woman show... Ainsworth's act is a hybrid, as she is a fine lounge singer with comic flair who delivers her songs in a beautiful, sultry voice with superb breath control.   She tells the audience, 'If Weird Al Yankovic and Julie Andrews had a child, it would be me.'"

-- Rita Faye Smith, TotalTheater.com


* * * * *


"A vivid personality with a wonderful stage presence...
Miss Ainsworth is a quite accomplished singer-comedienne.  She wrings maximum doses of humor out of every last wonderful lyric that she has written. 

She channels a Busby Berkeley Chorus Girl in 'Keep Young and Beautiful,' Madonna in her own version of 'Frozen,' and sings double-time and then quadruple-time in 'These Are The Very Promise of a Youth That is Ephemeral.' The ending was a powerful rendition of 'Everybody Says Don’t' which brought the house down."


-- Joseph Melnicoff, BroadwayWorld.com

* * * * *  

“If all goes well, ‘My Ship Has Sailed’ will...graduate to a bigger venue, then be booked at corporate events, then dazzle them on ‘Oprah,’ then take the nation by storm, fixing our misconceptions all along the way.”

-- Michael Precker, Dallas Morning News
("Aging: A Laughing Matter," Sunday Texas Living Section)

 
 
* * * * *

"...The ship that has sailed succeeds both as brittle comedy and as a thoughtful look at 'a world obsessed with extreme youth.' The show will only get better as it ages."

-- Robert Ross, Dallas Voice


* * * * *

"Laura Ainsworth pulled out all the stops at the Dallas Comedy Festival with a satirical, show-stopping excerpt from her one-woman show, My Ship Has Sailed.  Accompanied on keyboard by Brian Piper, Laura explored the expectations of society in high-energy song interlaced with commentary…The performance was impressive."
-- ComedyCritic.com
 
 

* * * * * 

"Charming...Both funny and unsettling...She's on to something."

-- Tom Sime, Dallas Morning News
 

* * * * *  

“Marvelous!  Delightful!…Laura Ainsworth’s voice is beautiful!…Just the kind of wonderful music and social satire that we should all be supporting...”

-- Hermann Bockelmann, host, KAAM's Europe Today
 

* * * * * 

"Getting ready for a girl's night on the town, the comments change as aging progresses. Early 20s is all vanity: 'Does this make me look skinnier?' and, 'OK, how's my hair?' Mid-20s offers the beginning of age-concern: 'Does this shade look too college? Too trashy?' and, 'Can you see my gray hairs from over there?' Late 20s is the time of imagined flaws: 'Oh my God, I'm getting crow's-feet! Hand me my wrinkle cream!' and, 'Is my butt sagging more than yesterday?' And at 30, well, going by fashion rags and general stereotypes, while men get more attractive, women should just end it all at the big 3-0.   Enter Laura Ainsworth with her one-woman show My Ship Has Sailed: How to be a Late Bloomer in a World Obsessed with Extreme Youth...

Ainsworth takes a whack, a slap and a right hook at the anti-aging industry and what she terms 'the last big culturally-accepted bias: looking over 30.'"

-- Merritt Martin, Dallas Observer, Best Bet/Day-By-Day Picks




Laura Ainsworth
        & Michael Gott in "Cole Porter"

For "Cole Porter: Elegance & Decadence"

"Top‑notch entertainers, inspired selection of songs...
A highly entertaining evening!"

"Miss Ainsworth is a fine singer with an outstanding range and genuine wit.  She delighted the audience with her rendition of such comic Porter numbers as 'Experiment,' 'Tale of the Oyster' and 'The Physician.'  Like any gifted comedienne who sings, she knew how to wring the last laugh out of every humorous lyric.  She slyly emphasized the Porter wit with a brazen gesture or a coy facial expression....

Although the evening included such Porter standards as 'It’s De-Lovely' and 'You Do Something To Me,' it also (features) lesser known Porter tunes as well — such as the three comic numbers mentioned previously.  The diversion’s encore was 'Anything Goes' — however, it was sung with the original 1934 lyric which has references to Eleanor Roosevelt and Evalyn Walsh McLean.  Bravo, Miss Ainsworth, for sharing such little known treasures with us!...

In a word, (Michael Gott) is dazzling.  He plays the piano in a masterful fashion.  When he plays, the piano is not just a musical instrument — it is his way of communicating with the audience.  His musical artistry added romance, wit, and sophistication to the proceedings.  Mr. Gott is a superior vocalist as well.  His chilling rendition of 'In the Still of the Night' left the audience breathless and yearning for more...

With the acclaim Miss Ainsworth and Mr. Gott received at the end of the show, it is inevitable that they team again.
 

It truly was magnificent entertainment."

               -- Joseph Melnicoff, BroadwayWorld.com


* * * * *  

Cole Porter Show Gets Cheers From Crowd

Mike Williams, the president of the Denison Arts Council, stepped to the footlights following the first encore and asked the audience, “Aren’t you glad you came?” The answer was a resounding cheer.

For an evening, the audience in the Rialto - not your old Rialto, mind you, but one decked out as a nightclub, complete with ushers dressed like the “Call for Philip Morris” kid and a cigarette girl with a tray full of CDs - was reminded why the 1930s and ’40s were the Golden Age of American Music. Laura Ainsworth and Michael Gott brought their show, “Cole Porter: Elegance and Decadence,” to Denison, and it was an unqualified hit.

For an hour and 15 minutes, the performers recalled a time when popular music was clever and witty and romantic and sexy and written for grownups. Cole Porter may be the only composer who wrote two songs mentioning Oyster Bay, and if you were in your seat on Friday, you heard both of them. Then there was Ainsworth’s version of the little-heard number, “The Physician,” where our heroine bemoans that while her doctor has lavish praise for her various body parts, he never says he loves her.

Porter wrote a lot of songs with alternate lyrics, one set for the stage, another for more general consumption. The show made good use of Porter’s musical archives to offer something beyond what is simply expected in a Cole Porter show.

The necessities are there, of course. You can’t go wrong with “Night and Day,” which opened the show, or “Anything Goes,” which closed it.  And “In the Still of the Night,” and “I Get a Kick (Out of You)” and “Let’s Do It” and “So in Love”...On the other hand, they offered “Love for Sale” and an unfinished Porter lyric put to music by Anne Hampton Callaway, called “I Gaze in Your Eyes.”

Ainsworth is a singer and comedienne whose solo shows have earned high praise from critics and audiences in Dallas and its environs for several years...She and husband Pat Reeder are moving their efforts to Las Vegas...but one suspects she would be welcomed back on the Red (River) any time.

Michael Gott..doesn’t so much play the piano and sing as he glides from one song to another with smooth transitions and great execution. And when the two harmonized, it was even better.

The performance was the first in what the Arts Council has tagged the “Black and White Series.” They struck gold the first time out, so when the next offering is announced, get tickets early or the beguine will begin without you. 

                                                     -- Edward Southerland, Denison Herald Democrat


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